Wednesday, June 27, 2012

Prometheus

I finally got around to seeing the acclaimed Alien prequel, Prometheus!  It's very interesting, and very good. There are incredible shots, some corny-but-hilarious jokes (featuring Stephen Stills, believe it or not), disgusting gross-ness, and even some real beauty.  So.  Prepare your chest, for here there be spoilers.

First of all, the year is something like 2094.  Humans have decided to track a star system and planet depicted in many ancient carvings and paintings.  The crew consists of 17 people, including a captain, a cold calculating bitch who acts as captain (great actress!  Apparently this actress is kind of typecast in this role, but she knows what she's doing), our two main-est characters, a robot, and a few other crew dudes.  One thing this film does have is a large cast--which keeps you from learning a lot about anybody.  Are they in on the plot?  Are they just random dudes?  Mostly.  This is also the first Alien movie where more than three people survive.  Two crew members die in the space-ruins, and three more die elsewhere (we may or may not get there), but there was no ship-wide blood bath, as one naturally would expect.
Just some notes on the characters--the main girl is named Elizabeth, and truth be told, she looks a little like Sarah Jane Smith.  Juuust mentioning that.
The robot, David is--well, he's jaw-droppingly gorgeous.  Which makes sense.  Robots are supposed to be the best kind of human.  Powerful, cool, maybe with guns coming out of their butts... Um.  Well, David is clearly an example of that.  He's perfect.  Hell, in the second scene you see him riding his bike in circles and casually tossing a basketball through a hoop and than catching it like it was no big thing (I wonder if he did that for real or if it was just CGI?)... I bring this up because in the other movies, the robots are very much every... everymen.  In the first one that was certainly no more than wanting Ash to be indiscreet so the audience is surprised when Sigourney knocks his head up--but yeah.  Ash is a dumpy robot.  The robot in the second one looks friendly, but certainly not a guy you'd expect to be a robot.  I don't really remember the third one, to be honest... But Winona Ryder... Well, no-one suspects that she's a robot, anyways, though she's less dumpy than previous robots in the series.  But she's nothing compared to David.
So!  Making the robots relatable?  More human?  There are still human/robot issues in the other movies (in the fourth one, set... Well, it's hard to know exactly without the aid of the movies themselves, but  I'd say that it's at least 600, 700 years after Prometheus.  (It's at least 400 years between the fourth Alien movie and the first, and possibly even the second.)  So that may have been the attempt, but it still failed.
As for the bitchy woman who acts as captain even though she clearly isn't--she's all steel--but if you look, she's human.  She's a tightly-wound bitch, but she goes to bed with the real captain--not that it ruffles her feathers at all.  But the example of humanity comes when the guy main character (who we learn nothing more about than the fact that he's dating the female main character and he's a scumbag to David) gets infected with... well, something they find in the alien ruins.  He entreats the woman to burn him alive with her flamethrower, and she does--and when it seems like she kills him, there's a split second where she kind of staggers back, and she has absolute horror on her face.
One thing that does throw me is that sometimes David refers to her by his name, and sometimes he calls her mom.  That didn't make sense to me.  Since she--well, was--heir to Weyland company, she'd be sister... Weyland himself refers to David as the "closest I'll ever have to a son".


Oooooof.  Sorry about that.  On to the plot!  So, they pick up, they find this planet.  One thing that impressed me is that even though the sets are obviously much more high-tech, they still looked like an Alien set--hell, for all I know, it's the same set updated--at least the dining area.  So how to explain why the Nostromo looked so low-tech in comparison, other than the fact that it was featured in the movie from the seventies?  Well, the Nostromo was just on a simple mining mission.  They didn't need anything fancy.
So, they touch down on this planet, and find strange structures--there are a few actually... But the structures are these big C-shapes with huge mounds in the middle.  Remember the spaceship that the crew of the Nostromo finds in the first movie?  Oh yeah, you better believe that it's buried underneath all of that.  They go in the ship, search around a little... (keep in mind, I'm condensing this a LOT.)
David accidentally sets off a strange holograph projector that shows giant creatures running into what appears to be a wall.  (They're very desperate--running from failures at the other ship sites?  Alien life?) David then opens it.
If you're not jumping out of your skin at this point, you didn't actually see the Alien movies--or you're very, very difficult to creep out.  What's even freakier is that the items in the chamber all appear to be organic, and are reacting to the light.  Murals on the ceiling change, those strange pods that are living stone start bleeding a thick, oily substance (which lands and eventually mutates little worms crawling unnoticed in the dirt below)... David shines his light on one and it starts developing four corners... It sort of reminds me of something, but what....
David takes a sample of what drips out unbeknownst to the scientists, who were busily collecting the head of one of the aliens that are believed to be humankind's forbears.  (Which is a hypothesis proved to be correct--the DNA sequences are almost 100% the same, but these humanoid aliens have a little bit more.)

So, the team leaves--I forgot to mention that they left so suddenly because a sandstorm/electrical storm/bad times were coming.  Two scientists were freaked out by the goings-on and had opted to leave beforehand, and became hopelessly lost within the tunnels, but the team that was in the chamber makes it out and back to the ship safely.  I should also mention that prior to discovering the chamber, the whole team was in a big room that was practically raining.  If you've seen your Alien movies, any place with enough hydration--especially if it's inside--will freak you out.  But no-one in this movie had Jonesy to warn them.  (Why do I know the name of the cat in the first Alien movie?)

So the team that's lost in the tunnels eventually stumble into the chambers, where the worms have mutated into three-foot-long and arm-thick udon noodles from hell.  One of them attacks one man, and his partner attempts to save him--but is sprayed with acid and the man's face melts.  The worm then forces its way down the man's throat, which is somehow more sexualized and horrifying than the face-hugger.  So the men die.

While this happens, David puts a single cell (look at his hand!  His fingerprint is the Weyland logo!) in a drink he makes for Elizabeth's boyfriend.  The man drinks it down, and later that night he and Elizabeth have sex.  The next day the man collapses, and the captain burns him alive.  But!  Around this time, David goes into the tunnels and discovers the alien's version of the human's resting chambers and unlocks another holographic security camera-like thing.  This scene in the movie is honestly beautiful.  I would see it in 3D just for this scene again--a gigantic map of the solar systems appears, and David holds earth--it's amazing.
And David reappears for Elizabeth, who had collapsed due to grief.  He checks her and discovers that she appears to be three months pregnant--impossible, because three months ago they were in biostasis--or, because the night prior was the first time they had ever had sex.  David attempts to put her into quarantine, but after she leaves she fights her way out, runs to a surgery machine, made only for men (we discover that the almost-dead Weyland is hiding on the ship)... Now!  This is where things get interesting!  If you'll notice, usually it's men who are impregnated with the alien babies.  At the very least, they are the first to be raped.
So, she is pregnant--but she programmes the machine and gives herself an abortion (she doesn't actually say "abortion", but it's god damn empowering).  That is goddamn amazing--as a twist on the usual and because she remains conscious the whole time.
The creature is squiggly white monster--showing that, like the Alien aliens, the black gunk will change whatever it is contact with differently depending on what it is.  (Giant sperm monsters are crazy.  Oh, and watch that one scene from Alien 3--the first one comes from a cow and is thus quadrupedal.  In a documentary I believe it was said that a greyhound in costume was used, or something like that.)

So David wakes up the alien that's left when they are in the chamber--it kills Weyland, and knocks David's head off (because it cannot tell the difference between him and a human--of course David survives).  The crew then escapes in desperation--David is stuck there, however.  This one humanoid alien, their forebear, plans to "take back" what he did for the humans--that is, something went wrong, and his next stop is earth, to destroy it.  This is where I nearly squealed, because his captain's seat folds itself open and a strange telescopic device comes down from the ceiling. (The picture below is from the first Alien, of course).  A lot of people are getting butthurt that it doesn't look exactly alike, but come on, they're pretty goddamn close.  Also, these events could have occurred many years apart--maybe there was one forebearer who was a little big.  Or maybe he was a little earlier or later in the evolutionary line.  Calm down.  And let's be fair, the original Space Jockey (yes, that really is what they called it) set was destroyed a few decades ago, so they didn't have the best source material.  (Originally it was outside of the studio after the first film's completion, but apparently several people destroyed it, thinking it was some Satanic symbol or something.)

So the bitch captain ejects despite the fact that the real captain can get them out of there.  (He actually says she can stay with him or go on the "lifeboat" and have two years of life--what the hell!)  She crashes, runs out--the spaceship of the alien is intercepted by the Prometheus ship, and begins rolling on its curve.  The bitch is crushed, and our Elizabeth just barely makes it out alive.  She stumbles to the lifeboat (a very, very nice escape pod).  The alien survived and follows her in--only to be attacked and killed by the sperm-squid monster, who has grown to gigantic proportions.  It face-rapes him and kills him.

So Elizabeth is left on the planet alone.  She decides to pilot, with David, the ship back to the alien's home planet--to see what made them, or why they changed their minds about earthlings.  There is a teaser end a la an end that comes after the credits, where an Alien-esque creature (fully grown) breaks from the man's flesh.  Now, Ridley Scott has said that he would do a sequel if given the chance, if the film did well or whatever.  But!  We can still speculate on how this gets to Alien. 




Does this work with AVP?  I really want it to.  I wouldn't be surprised if they brushed it aside, but AVP is what got me into the Alien movies, so I want it to badly.  If AVP will be an accepted part of the universe, we can say that the Predators picked Alien eggs up from somewhere else--since according to AVP  they were gathered so Predators could engage in a rite of passage, and the humans could be all amazed at their "gods".  No-one says where the eggs came from.  The movie is set in 2004, and also features Weyland--but it turns out that it is not the same Weyland.  It could be the son of that in AVP.
OH, and this all took place during the earliest realms of human civilization, the latest being from the Mayans (or something), so it was possible that the Predators still could have been intimately involved.  To mention the time just occurred to me, and I'll have to think more on that...

Alien evolution?  The Aliens change depending on who they're in.  The black gunk could have landed on something else to make it change.  It could have a basic outline for a creature which it recreates.  Clearly it affects different creatures in somewhat similar ways--the worm went down the dudes throat, the wiggly sperm beast layed eggs in the forbearer alien which clawed its way out of him later... And the aliens have a basic hive society, with a queen and whatnot.  So... bugs from hell+proper hosts... And somehow you get Aliens.  I'm thinking Namekians. (They have Alien hands!)

Why were they going to destroy Earth?  I'm going to say that this whole line of events took place, and the forbears realized they messed up bad.  Obviously one died in this turn of events, as we've seen on the Alien home planet.  We've seen in Prometheus that there was more than one ship per site (I'm curious about the other ship, but not overly so)--so someone could have left to send the distress schedule, or it was just this one guy and they had a transmission from him that ended with something bursting from his chest.  The forbears got scared that the same thing was happening on earth, and the few that were left decided that they had to end it.

Are there other forbears left?  Maybe.  It's possible.  They could have all died, or there are a few on the planet that are destitute, or they figured earth was gone... I'm figuring they're all dead for some reason.  I don't think the Alien home planet was their home planet, so it was a different disaster--or someone carried eggs back by accident!
(Also the Predators may have observed this disaster and that's how they learned about the Alien eggs?  Well, even if they were infected with the aliens, they are best suited to deal with them...)



Wow, I... I think that's it.  I think those are all of my theories.  If I... if I think of anything else I'll add it in the form of an "EDIT"...
(Also, this post was apparently so long it broke Blogger's spellchecker, so sorry about any gross errors.  I'll fix them if you point them out!)


EDIT: Aliens (second movie) was supposedly set in 2179.  Does this affect anything at all?  Maybe not, but it would be interesting to see how far the Prometheus series goes, if they ever occur over the same time period... They are only 100 years apart (a little less, actually).
As it turns out, what I forgot about when originally writing this is that Elizabeth is barren.  That was my bad.
AND, in the chamber where they find those strange containers--the room that looks exactly like the egg-filled chamber of the spaceship in the first Alien movie--the mural on the wall (one of them) looks like an Alien in a crucified-esque position.  Those are some scenes I'd like to get better looks at though, because even on the big screen with my glasses, it was hard for me to really tell what they were showing.
Okay, this is the last edit, maybe.  So.  Why did the worms that killed the geologist and that other dude not make little worm babies crawl out of their corpses?  Well, that squid monster was sperm.  Sperm gets people pregnant, that's the point of it.  Like I've mentioned, it's well-established that Aliens live in a hive community.  All it would take would be one drop on one queen space-bug--she would mutate, and the babies she lays during that time (because I don't think they have sex all that often--my understanding of bugs is that they are constantly just popping babies out--okay, so I only know that from Antz and Aliens) would presumably change with her, and those would get cooler and cooler, till another Alien queen was born and cemented this awesome yet horrifying change.

Tuesday, June 19, 2012

Fragile Things by Neil Gaiman

Sorry I've been gone!  I've been reading, I've just been lazy about writing things.  Anyways, from the title you'd be thinking that there's a lot of Neil Gaiman love going on in my life lately... Well, not really.  I thought this was going to be a full-blown sequel to American Gods (ugh, how embarrassing, but this makes me want to read it again...), so I was little disappointed.  There's a novella sequel to it, but reading a lot of Stephen King has spoiled me in the sense that I was expecting the novella to be about 150 pages longer...  (55 pages!?) I also... Well, Neil Gaiman's short stories aren't really my thing, or at least they don't appeal to me as much as his longer stuff.  The shorter stuff... A lot of the stories feel like they're lacking something, even when they are good.  So I admit that I skipped more than a few (also the poetry) and I peaced out halfway through some because I got bored.  (Sorry.) Oh, and I thought this was the collection of short stories with the original "Murder Mystery" story adaptation too, sooo...


The first story I did just plain skip--it was a Sherlock Holmes-style story, "A Study in Emerald"--a parody of "A Study in Scarlet".  I hate Sherlock Holmes.  I love the show, but the books are too dry for me, and in print, Sherlock always seems like an insufferable, arrogant jerk (Cumberbatch can get away with that because he's gorgeous and has a voice like Alan Rickman).  I tried to give it a go, but it got to the "Rache"--an exact scene lifted from the Holmes story--and I was done.

So!  The first thing I have anything to say about is "October in the Chair".  This story was dedicated to Ray Bradbury, who, as you probably know, just recently passed away.  Anyways, this story was written long before that, so... The basic premise is that all the months, personified (with pretty accurate characterizations, I think) meet once a month (I believe) and tell a tale.  You only see about two stories, which is what disappointed me about this one.  Maybe every month telling a story would be tedious, but... At least like... three?  Four?  One whole season or... Well, anyways, October tells us a story of a looked-over boy who runs away because he is sick of being ignored.  After much travelling, he makes friends with a ghost, and decides he'd rather stay with his ghost friend than be found.  So his ghost friend directs him to a house where "they" (different beings) live, who might enable him to stay... Implying that they'd kill him.  And it ends with him still outside and hearing a noise inside the house.  A good story... but it felt malnourished.  Probably my favourite in the book, though.  I wonder what Bradbury had to say about it?

The next story was "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire"... I zoned out during this one.  What I did note, though, is that a young author who is frustrated by his inability to write what he wants well is visited by a talking raven.  This was written after Sandman--and although it's a connection to Poe too, one can't help but think of Matthew, Dream's feathered companion.

Another story, "Closing Time".  Again, it seemed interesting--a man tells a story of an event that happened when he was a boy, there's a bit of a mystery--he went to a strange playhouse, or hut, as I imagined it. Very, very condensed version is that he went with three older, boisterous boys, they come in, never come out, and he returns home.  Creepy on its own, good, but the framing device which returns at the end hurts it and just serves as a distracting factor.

The perfect story in this collection--and my actual favourite--is "Other People".  At first I didn't get the title, exactly, but I realized pretty quickly (though you won't really understand it till the end) that it was a play on that saying, you know, that "hell is other people".  It is so good that I have provided you with a link.  It takes about five minutes to read.  (I wonder what happens to the old demons after...?)

I swear I've read "The Facts in the Case of the Departure of Miss Finch".  I know I have--from the very start, I was sure I knew it.  I was less sure about the very end, but I was sure that I've seen it, or a very similar story, somewhere before... (Cirque du Freak?  Petshop of Horrors?) Anyways.  That was my statement, and this: "She curved like a Raymond Chandler smile" (Gaiman 143).  Could you tell that this story was written in 1998?  I was dying.

Oh OKAY.  The next story I have notes on is "The Problem of Susan".  Neil Gaiman said he wrote this because the treatment of Susan in the Narnia books always bothered him.  Understandable, but... Susan was a bitch.  Her and her nylons, and invitations... I mean, really! Anyway, the story goes on--some people aren't sure if the old professor is just some lady who knows fantasy lit, or the actual Susan.  I think it has to be Susan.  A young girl interviews her on "the problem of Susan" (why her siblings went to paradise while she alone remained on earth and didn't receive the touch of the divine paw, so to speak), and as the girl describes it, the old professor (who is the right age) describes the same situation from a personal view... She talks about identifying the bodies (Remember, the Pevensie children die in a train crash at the end of The Last Battle!)... She specifically says Ed!  Edmund, of course!  (Edmond?)  She even says that there's no way that a god who would punish a girl who "lik[es] nylons and parties" (Gaiman 187) would be an entirely kind fellow--"'enjoying himself a bit too much, isn't he?'" (Gaiman 187).  The people who read this and didn't realize that it was the Susan (married and divorced, husband died, etc--) weren't really paying attention at all.  Anyways--it gets awkward after that, and Susan politely dismisses the interviewing girl for good.
Later that night, both women dream: Susan of a Mary Poppins book that the author never wrote while living (Sandman again, Lucien's library!), and the young girl interviewing (Greta, and okay, in her mid-twenties) dreams too--and um, be warned.  It's gross, in a deeply disturbing way.  I have never felt nauseous from just reading something--this changed that.  Here:
"She is standing on the battlefield, holding her sister's hand... The witch looks at them all, then she turns to the lion, and says, coldly, 'I am satisfied with the terms of our agreement.  You take the girls: for myself, I shall have the boys.'  She understands what must have happened, and she runs, but the beast is upon her before she has covered a dozen paces.  The lion eats all of her except her head... She wishes that he had eaten her head, then she would not have had to look.  Dead eyelids cannot be closed, and she stares, unflinching... The great beast eats her little sister more slowly, and, it seems to her, with more relish and pleasure than it had eaten her, but then, her little sister had always been its favorite.  The witch removes her white robes, revealing a body no less white, with high, small breasts, and nipples so dark they are almost black.  The witch lies back in the grass, spreads her legs.  Beneath her body, the grass becomes frost.  'Now,' she says.  The lion licks her white cleft with its pink tongue, until she can take no more of it, and she pulls its huge mouth to hers, and wraps her icy legs into its golden fur... Being dead, the eyes in the head on the grass cannot look away.  Being dead, they miss nothing.  And when the two of them are done, sweaty and sticky and sated, only then does the lion amble over to the head on the grass and devour it in its huge mouth... The white witch rides naked on the lion's golden back.  Its muzzle is spotted with fresh, scarlet blood.  Then the vast pinkness of its tongue wipes around its face, and once more it is perfectly clean'" (Gaiman 189-190).
Yeah.  So.  I'm thinking the message is that no-one is just plain good and perfect, and no-one is just plain evil, and they get mingled in all sorts of ways.  But honestly, I don't want to think about this story too much.

"Fifteen Painted Cards From a Vampire Tarot" was pretty intriguing too.  It was made up of several shorts wed together, and each short was enough so that it didn't need anything more.  I know that's weird, compared to what I've been complaining about, but it works... I mention it mostly because it hints at that popular notion that Jesus was a vampire--well, maybe popular isn't the right word, but it crops up from time to time, and more than you think.  (The idea comes from the "this is my blood, this is my body...", the fact that Jesus came back from the dead... One story I read implied that this is why Dracula--because Dracula was that vampire in question in the story--feared the cross, because his original death had taken place on it... Oh, and because of the eternal life promised--"[Christianity] was the only religion that delivered exactly what it promised: life eternal for its adherents" [Gaiman 211].)  Soooo yeah.

"In the End" was really cool, too.  It plays on the idea of entropy--at least I believe the concept is entropy, forgive me if it isn't, the last astronomy class I took was two years ago--but the idea that I'm thinking of is that, instead of the world ending just like that, the world reaches a certain point... and then things run backwards.  You live your life backwards.  Everything in the universe runs backwards, until the big bang, and then some people think it goes back, or it keeps on running backwards into nothingness like that.  Well, "In the End" plays on that with a religious twist.  You'll see what I mean when you read it.  (If you Google it, there's a free .mp3 of it online, but I don't really like it read...)

"How to Talk to Girls at Parties" is mentioned just because two teenaged boys go to the wrong party and I think one of them almost accidentally has sex with a space alien.  Or something?  My attention for this book in general was going at this point, but also they mention David Bowie twice in this story, and that's pretty cool.

And the novella that's a sequel to American Gods--I haven't a terrible amount to say about it.  I guess my feelings on this whole thing are mainly negative, and I feel bad about that because I really do like Neil Gaiman, but this collection just wasn't my thing.  Anyways, the only thing I have to mention about it is that it's set two years after the novel, and Shadow reflects on this, saying that he is 35 now.  Now, in the actual book, Shadow dies and comes back reminiscent of a Norse god--the god Odin, in fact.  He was hung on a tree and even stabbed in the side.  And then Odin comes back.  Early people hoping to make converts out of Norsemen connected him to Jesus as one way to make Christianity more appealing or more familiar.  So! If it was two years ago, Shadow was 33 then.  Jesus was supposedly 33 1/2 when he was crucified and subsequently resurrected.  So... So yeah!  Wooh, connections.
My other note is that it features a character named Mr Alice, who appears in one of the earlier stories of this collection...


So yeah... That's it.  This book wasn't for me, but maybe it'll be for you!  Good night!
MLA Citation Information: Gaiman, Neil.  Fragile Things.  William Morrow: United States of America, 2006.